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The record's high point, however, comes with tracks four and five, respectively. Not that that's a bad thing -- in fact, it's one of the best songs on the record. While the guitars certainly nip at Young's heels, the song is good enough that it simply doesn't matter.
Elsewhere, Kerry gives us the dreamy choruses to 'No Guarantee' and 'Castaway', the catchy, poppy 'The Outside' the lead line of which is carried by a banjo , and the jaunty, boozy 'Take Another Turn'. The music of Four Storeys is, in a word, timeless. Although Betting on Now was recorded in the new millennium, there's no reason that it couldn't have come out twenty or thirty years ago.
That's not to say that these songs sound dated in any way; it's just that they don't subscribe to any trends, or sound as if they're tied to any particular era. They're simply great songs presented with passion, restraint and true skill. Loose and low-key, the arrangements sound so unhinged at times they tread closer to the feel of demos rather than a deliberately polished production.
When they mine a mellow Americana vein via 'Mea Culpa', 'Castaway' and 'Up in Arms,' their fragile melodies suggest an ethereal ambiance and surreal sensibility. At other times, the Storeys exude a cool confidence and vitality, particularly when it comes to a ragged rocker like 'So Down on Me,' the country rock rave-up 'Take Another Turn' and the album's most upbeat entry, 'The Outside. Nick Kenny is an awesome vocal talent; his soulful melodies will soothe you like all your favorite Lennon, Gram Parsons, Dylan, and Neil Young records do.
Actually, when I first heard 'Still Waiting Really, though, I can tell these guys are coming more from the 70s AM radio field, with influences probably taken from Neil Young, America, and stuff like that. Although Betting on Now was recorded in the new millennium, there's no reason that it couldn't have come out twenty or thirty years ago. That's not to say that these songs sound dated in any way; it's just that they don't subscribe to any trends, or sound as if they're tied to any particular era.
They're simply great songs presented with passion, restraint and true skill. Loose and low-key, the arrangements sound so unhinged at times they tread closer to the feel of demos rather than a deliberately polished production. When they mine a mellow Americana vein via 'Mea Culpa', 'Castaway' and 'Up in Arms,' their fragile melodies suggest an ethereal ambiance and surreal sensibility.
At other times, the Storeys exude a cool confidence and vitality, particularly when it comes to a ragged rocker like 'So Down on Me,' the country rock rave-up 'Take Another Turn' and the album's most upbeat entry, 'The Outside. Nick Kenny is an awesome vocal talent; his soulful melodies will soothe you like all your favorite Lennon, Gram Parsons, Dylan, and Neil Young records do.
Actually, when I first heard 'Still Waiting Really, though, I can tell these guys are coming more from the 70s AM radio field, with influences probably taken from Neil Young, America, and stuff like that. The record is mostly acoustic-based, with lots of pedal steel, and that root note bass style you know, 'bumm pum-pum, bumm pum-pum, repeat'. And the vocals are smooth, with lots of big harmonies.
I'm not sure about the original issue, but this release adds their two tracks from their first single, which was released on Shifty Disco two years ago, and there's also a hidden track after several minutes of blank space on the last track. These guys have a kinda laidback, country feel, and remind me a bit of the Pernice Brothers and Beachwood Sparks.
I'm not sure about the original issue, but this release adds their two tracks from their first single, which was released on Shifty Disco two years ago, and there's also a hidden track after several minutes of blank space on the last track grr Fall Out has this great crying harmonica that's as good as Neil blowin' on it and Save Your Last Goodbye is another strummy and fragile number.
If you decide that it's finally time to pick up that copy of Decade or Tonight's The Night put it back and get this.
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